This decision sits inside a larger copyright enforcement proceeding. On 12 November 2025, the Court had already made site-blocking and ancillary orders with respect to 52 target online locations. Those earlier orders were made under s 115A of the Copyright Act. The present application was brought only days later, after the applicants reviewed how those orders were working in practice.
The review was organised by Andrew Gavin Stewart, who instructed Jackson Ion Moir, a summer clerk employed by the applicants’ solicitors, to check implementation of the earlier orders on 18 and 19 November 2025. According to Mr Stewart’s evidence, the respondents had substantially complied with the earlier orders, subject to relatively minor exceptions.
But the review also identified a number of urgent and standard target online locations that were being made available from different domain names, URLs and IP addresses.
The Court recorded evidence that these new access points appeared to have the same or substantially the same name, branding and content as the already-targeted locations and appeared to make available the film “Wicked: For Good”.
The Court also recorded evidence that all of the additional urgent access means were outside Australia, had substantially the same means of contacting the owners or operators, and had substantially the same registrant and or registrar details and contact details as the original target online locations. That evidence mattered because it supported the applicants’ position that these were not unrelated new sites, but alternative routes to the same or substantially the same infringing locations.
The commercial setting was important. Mr Stewart gave evidence that “Wicked: For Good” had its initial Australian release on 20 November 2025 and was likely to remain in theatres for approximately 30 to 45 calendar days, likely for the remainder of the 2025 calendar year. The applicants argued that if they had to use the ordinary process under the earlier orders, the new access points might remain available until 24 December 2025.
The Court accepted that this would leave the sites accessible for the majority of the theatrical release period and would likely reduce the film’s commercial success because infringing copies would be available without charge.