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Federal Court of Australia - Full Court · [2024] FCAFC 149

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Killer Queen, LLC v Taylor

Killer Queen, LLC v Taylor [2024] FCAFC 149 is a major Australian trade mark appeal about competing use of KATIE PERRY and KATY PERRY on clothing and merchandise. The dispute involved an Australian fashion designer, the US music artist Katy Perry, and several related merchandising entities. The Full Federal Court overturned the earlier result, dismissed the infringement proceeding, allowed the cross-claim and ordered cancellation of the KATIE PERRY registration. For businesses, the case is a strong reminder that registration, reputation, goods specifications and group structure all matter.

Federal Court of Australia - Full CourtNot recorded

These are plain-English explainers, not legal advice. They are a good starting point, but check the linked official source before you rely on a specific section, and get advice for your situation.

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Decision snapshot

Facts

The dispute

Killer Queen, LLC v Taylor was a trade mark appeal about two traders using almost the same personal name in connection with clothing and merchandise in Australia. On one side was Katie Jane Taylor, an Australian designer who had traded under the brand KATIE PERRY. On the other side was the US music artist known as Katy Perry, whose real name is Katheryn Hudson, together with associated companies including Killer Queen, LLC, Kitty Purry, Inc and Purrfect Ventures, LLC. The court recorded that Ms Taylor was born Katie Jane Perry, had also gone by Katie Howell and Katie Taylor, worked in retail and fashion, and started her own label in early 2007. She first used a different label name, then settled on KATIE PERRY. She registered the domain name www.katieperry.com.au on 2 May 2007. She later applied for a logo mark in September 2007, that application lapsed, and on 29 September 2008 she applied for registration of the word mark KATIE PERRY in class 25. Her products were described as luxury loungewear, including jogger-style pants and t-shirts, sold online, through wholesalers and from a showroom. On the celebrity side, Ms Hudson's career was managed by Direct Management Group. The judgment says her management team was actively planning her music career, touring and commercial opportunities from at least 2007, and by early 2008 considered Australia to be an important market. In anticipation of the 2008 Warped Tour, management pursued merchandising opportunities and caused a US application to be filed for the KATY PERRY word mark, including for apparel in class 25. Merchandise branded KATY PERRY was designed and sold at concerts. By July 2008, management saw significant commercial opportunity in worldwide and online sales of Katy Perry merchandise, including in Australia, and engaged Bravado, a music merchandise company, to help with physical retail distribution and online sales. The court noted that Ms Hudson was closely involved in selecting and approving designs and merchandise generally and in particular regions. The extract says that in May 2009 Ms Hudson's side became aware of Ms Taylor's Australian application for KATIE PERRY for clothes. A cease and desist letter was sent. The parties then explored a possible coexistence arrangement. On 26 June 2009, Ms Hudson applied to register KATY PERRY in classes 9, 25 and 41, and also sought an extension of time to oppose Ms Taylor's application. That opposition step was withdrawn before hearing on 16 July 2009. The Full Court expressly noted that Ms Hudson sought registration in class 25 but later withdrew that application, registering the mark only in classes 9 and 41. Ms Taylor's mark was entered on the Register on 21 July 2009. The commercial relationship on the celebrity side became more complex over time. Kitty Purry was incorporated in April 2008, with Ms Hudson as sole director, CEO, secretary, CFO and shareholder. Killer Queen was incorporated in August 2009 with Ms Hudson as sole shareholder and director. Purrfect Ventures was incorporated in September 2016. The extract records licensing and assignment arrangements involving these entities. In 2011 Kitty Purry entered into an agreement with Bravado Merchandising for sale of Katy Perry branded merchandise and licence rights in relation to the KATY PERRY mark, signed by Ms Hudson for Kitty Purry. Merchandise bearing the Katy Perry mark was sold on the Australian leg of the California Dreams Tour. In December 2011, Ms Hudson assigned rights and interests in identified trade marks to Killer Queen. In 2014 Kitty Purry entered into another Bravado agreement in anticipation of the Prismatic Tour, and merchandise bearing the Katy Perry mark was sold at Australian pop-up stores. The litigation itself concerned alleged infringement after 24 October 2013, which the primary judge treated as the earliest date permitted by the limitation period. The pleaded conduct involved a range of channels, including tweets, Facebook posts, websites, tour merchandise, pop-up stores, Target, Harris Scarfe, Best & Less and other retail activity. The case also raised whether related companies such as Killer Queen, Kitty Purry and others were liable as joint tortfeasors for conduct carried out through Bravado, Blackout Merch and Epic Rights. At first instance, Ms Hudson and Kitty Purry were found to have infringed Ms Taylor's mark in some respects, additional damages were awarded, and the cancellation attack failed. On appeal, the Full Federal Court revisited the scope of the goods covered by "clothes", the joint tortfeasor findings, the statutory defences, and the cancellation grounds. The appeal ended with the original infringement proceeding being dismissed and Ms Taylor's registration ordered to be cancelled.

Issue

The legal question

The Full Federal Court had to resolve whether use of the KATY PERRY name and related branding on merchandise and promotional materials in Australia infringed Ms Taylor's registered KATIE PERRY trade mark, whether associated companies were liable as joint tortfeasors, and whether statutory defences such as good faith use, honest concurrent use and own name applied. Most importantly, it had to decide whether Ms Taylor's registration should remain on the Register or be cancelled because use of the registered mark would be likely to deceive or cause confusion, including by reason of the reputation in the prior KATY PERRY mark and the circumstances existing when rectification was sought.

Outcome

Decision

The Full Federal Court allowed the appeal in part and the cross-appeal in part. It set aside the key first instance orders, dismissed Ms Taylor's originating application, allowed the cross-claim, and ordered rectification of the Register by cancelling trade mark no. 1264671. It also ordered Ms Taylor to pay the appellants' costs of the appeal and cross-appeal, while remitting the question of first instance costs to the primary judge for re-determination. The court stayed cancellation pending any special leave application and any High Court appeal. The extract makes clear that the decisive point was the court's conclusion that the primary judge had erred in leaving the KATIE PERRY mark on the Register.

Practical impact

Commercial note

A registered trade mark is valuable, but it is not a complete shield if another trader has an earlier reputation likely to cause confusion or if your registration later becomes vulnerable to cancellation. This case also shows that filing strategy matters. The celebrity side applied for KATY PERRY in classes 9, 25 and 41, but the class 25 application was later withdrawn, with registration proceeding only in classes 9 and 41. That detail matters because the dispute still turned heavily on clothing and merchandise in Australia. If your business uses a founder name, artist name or other personal brand, clear the name early, think carefully about the goods you will actually sell, and document who owns, licenses and uses the brand across your group. If a dispute starts, expect the other side to challenge the registration itself, not just deny infringement.

The story

This appeal came out of a long-running clash between an Australian fashion business and the global entertainment business built around the performer known as Katy Perry. The names were almost identical. Katie Jane Taylor traded in fashion under KATIE PERRY. Katheryn Hudson performed and commercialised her celebrity brand as KATY PERRY. Once both sides were dealing with clothing and merchandise in Australia, conflict was almost inevitable.

The judgment shows that Ms Taylor had started her own label in early 2007, registered the domain name katieperry.com.au on 2 May 2007, and later applied for the KATIE PERRY word mark in class 25 on 29 September 2008. Her business sold luxury loungewear, including jogger-style pants and t-shirts, through an online store, wholesalers and a showroom.

At the same time, Ms Hudson's management team was building a major international music and merchandise business. From at least early 2008, Australia was seen as an important market. Merchandise branded KATY PERRY was designed for tours and online sales, and Bravado was brought in to help with distribution and merchandising. The court noted that Ms Hudson was closely involved in selecting and approving designs and merchandise generally and in particular regions.

The dispute sharpened in 2009 when the celebrity side became aware of Ms Taylor's Australian application. A cease and desist letter was sent, coexistence was explored, and Ms Hudson applied to register KATY PERRY in classes 9, 25 and 41. The opposition step against Ms Taylor's application was then withdrawn. Ms Taylor's mark was entered on the Register on 21 July 2009. The Full Court specifically noted that Ms Hudson later withdrew the class 25 application and registered only in classes 9 and 41.

What was being fought over

The appeal covered several separate but connected issues. First, there was the infringement claim. At first instance, Ms Hudson and Kitty Purry had been found to infringe Ms Taylor's registered KATIE PERRY mark in some respects, including certain social media uses and some merchandise-related conduct. Additional damages had also been awarded. Killer Queen and Purrfect Ventures were not found liable at first instance.

Second, there was a dispute about the scope of the registered goods. Ms Taylor's mark was registered in class 25 for "clothes". The Full Court's issue list shows that a major question was what that word covered. The cross-appeal challenged findings about whether footwear, headgear, caps, hats and headbands fell within the meaning of "clothes". That is not a technical side issue. In trade mark litigation, the exact goods covered by the registration can determine whether infringement exists at all.

Third, there was a substantial fight about joint tortfeasorship. The court's headings show detailed consideration of different channels of trade, including the Prismatic Tour, the Witness Tour, pop-up stores, Target, Harris Scarfe, Best & Less and websites. The question was whether related companies and merchandising businesses were legally responsible for infringing conduct carried out through those channels.

Fourth, the celebrity side relied on statutory defences. The extract identifies arguments about good faith use, honest concurrent use and use of own name. The own name issue was especially important because the allegedly infringing sign was itself a personal name mark. The court's headings also show that the appeal raised whether a person using an adopted name could rely on the defence, whether an assignor could continue to rely on own name use after assigning the mark, and whether a joint tortfeasor who did not itself use the mark could rely on the defence.

Fifth, and ultimately decisively, the celebrity side cross-claimed for cancellation of Ms Taylor's registration. The Full Court's formal orders show that this attack succeeded on appeal. That changed the whole case. Once the registration was ordered to be cancelled, the original infringement proceeding could not stand.

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What the court decided

The formal result was a major reversal of the first instance outcome. The Full Federal Court allowed the appeal in part and the cross-appeal in part. It set aside the key orders made below, dismissed Ms Taylor's originating application, allowed the cross-claim, and ordered rectification of the Register by cancelling trade mark no. 1264671.

The court also ordered Ms Taylor to pay the appellants' costs of the appeal and cross-appeal, and remitted the question of first instance costs to the primary judge for re-determination in light of the appeal findings. Cancellation was stayed until the later of any special leave application to the High Court and, if special leave were granted, the determination of any High Court appeal.

The extract expressly states that the Full Court found the primary judge had erred in concluding that the KATIE PERRY mark should remain on the Register, and that as a consequence grounds 3 and 4 of the appeal succeeded and the decision below had to be reversed. Those were the cancellation grounds. The extract also shows that the court dealt with infringement, the meaning of "clothes", joint tortfeasorship, the statutory defences, laches, additional damages and injunctive relief.

Because the available text is truncated before the full reasoning is reproduced, it is safer to state the final orders and the decisive role of cancellation than to overstate every detailed conclusion on each defence or each alleged joint tortfeasor. What can be said confidently is that the cancellation finding changed the result of the whole case.

Documents and conduct

One of the most useful features of this case for business readers is the way it shows the court looking beyond the headline brand owner to the surrounding commercial structure. The extract records a series of entities and agreements: Kitty Purry was incorporated in 2008, Killer Queen in 2009, and Purrfect Ventures in 2016. Ms Hudson held key roles in those entities. In 2011 Kitty Purry entered into a Bravado merchandising agreement, signed by Ms Hudson as authorised representative. In December 2011 Ms Hudson assigned rights and interests in identified trade marks to Killer Queen. In 2014 Kitty Purry entered into another Bravado agreement for the Prismatic Tour.

Those details matter because trade mark liability can turn on who authorised, controlled or participated in the conduct. The Full Court's issue headings show separate analysis of Bravado, Blackout Merch and Epic Rights, and separate analysis of different channels such as tours, pop-up stores, websites and retailers. That is a reminder that a court will often trace the commercial chain carefully rather than treating a brand as if it were used by only one person or one company.

The case also shows how communications and strategy decisions can matter. The extract records that management became aware of Ms Taylor's application in May 2009, sent a cease and desist letter, explored coexistence, and then withdrew the opposition step. The primary judge's background findings, adopted in the extract, also recorded that management recognised a calculated risk of trade mark infringement if the KATY PERRY name were used on clothes in Australia. Whether or not that point was ultimately decisive on appeal, it illustrates how internal decisions about publicity, filing strategy and market entry can later become central evidence.

How businesses should read it

This decision is especially relevant if your business uses a founder name, artist name, influencer name or any other personal identity as the brand. Personal-name branding can feel authentic and commercially powerful, but it creates unusual risk because more than one trader may have a genuine connection to the same or a very similar name. If both move into overlapping goods, especially clothing and merchandise, the dispute can become expensive and structurally complex.

The case also underlines the importance of expansion planning. A business may begin in one lane, such as fashion, music, events or digital content, and later move into merchandise, e-commerce or retail collaborations. That expansion can create overlap that did not exist at the start. Here, the overlap was not just abstract. It involved clothing, online stores, tours, pop-up stores and retail channels in Australia.

Another practical lesson is to distinguish clearly between applications and registrations. The Full Court expressly noted that Ms Hudson applied for KATY PERRY in classes 9, 25 and 41, but later withdrew the class 25 application and registered only in classes 9 and 41. Businesses should keep that distinction straight in their own records and strategy. An application is not the same as a registration, and a registration in one set of classes does not solve risk in another.

The court's treatment of "clothes" is also commercially important. Businesses often assume that a broad everyday word in a specification will automatically cover every adjacent apparel item. This appeal shows that assumptions of that kind can be dangerous. If your revenue depends on footwear, headwear, accessories or event merchandise, your filing strategy and enforcement analysis should be specific.

Finally, group structure does not eliminate exposure. If one entity owns the IP, another signs the licence, another approves designs and another sells the goods, a dispute may still pull multiple entities into the case. Keep assignments, licences, approvals and sales arrangements clear and current. If you are entering a new market or launching merchandise under a personal name, do the clearance work before the campaign goes live, not after the first cease and desist letter arrives.

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Source notes

This page reflects the Federal Court of Australia decision in Killer Queen, LLC v Taylor [2024] FCAFC 149, dated 22 November 2024. The published material available here includes the formal orders, catchwords, issue headings and substantial background findings.

The available text is truncated before the full reasoning is reproduced. For that reason, this page gives a careful public explanation of the commercial story, the issues raised and the formal outcome, while avoiding detailed claims about parts of the reasoning that are not fully visible in the available text.

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