Award register

MA000081CurrentRetail, hospitality and recreation

Live Performance Award

The Live Performance Award is broad in industry reach but highly segmented in operation. The main compliance task is to identify the right stream first, then apply the correct roster, allowance, break and classification rules for that stream rather than borrowing rules from another part of the award.

Consolidated through
1 July 2026
Source checked
1 August 2026
Official source
Current award

01Who this award covers

The Live Performance Award reaches far beyond the cast on stage, but it is highly segmented. The first questions are whether the work sits in the live performance industry and which stream of the award applies, because performers, musicians, striptease artists, and production and support staff do not all work under the same rules.

Businesses and work usually covered

  • Producing, pre-production, post-production, staging, lighting, audio and audio-visual work connected with live performances
  • Presenting, performing, administration, programming, workshops, rehearsals, concerts, set manufacture and prop manufacture connected with live performance
  • Selling tickets and the provision, preparation or service of food or drink in connection with covered performances, rehearsals, concerts or venues
  • Operating venues or facilities used for covered performances, productions, rehearsals or concerts

When another award or arrangement may apply

  • Employees excluded from award coverage by the Fair Work Act
  • Employees covered by a modern enterprise award or enterprise instrument
  • Employees covered by a State reference public sector modern award or State reference public sector transitional award

02Roles and classifications

The award contains classification levels that connect an employee's duties, skills and responsibility to a minimum rate. Common role descriptions include:

  • Performers and company dancers
  • Musicians
  • Striptease artists
  • Production and support staff employees
  • On-hire employees and trainees in covered live performance classifications

A familiar job title is only a starting point. Match the employee's real duties against the classification definitions and keep a written record of the level selected.

03Rules employers need to check

Choose the right stream before applying the award

cl 4.1-4.6, 45-48, 61-63, Schedule A

Coverage is broad, but the internal structure matters just as much as the industry definition. The safest approach is to pick the stream first and only then apply the detailed rules.

  • Start with the industry definition, then identify the correct stream inside the award before applying hours or pay rules.
  • The award clearly covers performers and company dancers, musicians, striptease artists, and production and support staff, but each stream works differently.
  • If there is no suitable classification in this award for the work and work environment, another award may be more appropriate.

Document weekly employment properly

cl 45.1-47.9

On the production and support staff side of the award, engagement status and written work patterns are central compliance documents, not optional paperwork.

  • Employees must be engaged as full-time, part-time or casual, and must be told the terms of engagement.
  • For full-time and part-time employees, the agreed work pattern must be recorded in writing, including hours worked each day, days of the week, and actual starting and finishing times.
  • For full-time and part-time employees, time worked beyond the agreed written pattern is overtime, and a shift cannot be longer than 10 hours.

Run weekly rosters to the stream-specific rules

cl 61.1-61.2

The weekly employee rules are detailed and operational. Rosters, daily hours, days off and cleaner night work all need to be set deliberately.

  • Weekly employees work 38 ordinary hours per week and may be rostered Monday to Sunday between 7.00 am and 12 midnight.
  • A Production and Support Staff employee engaged specifically as a cleaner may be rostered between 12 midnight and 7.00 am and receives an additional 20% loading for that work.
  • Weekly employees must work a minimum of 4 hours and a maximum of 12 hours in a day, in no more than 2 periods. Full-time employees get 2 rostered days off for every 7 days, consecutive wherever reasonably possible, and cyclic rostering requires majority agreement and a written record.
  • For casual employees in this stream, ordinary hours are a minimum of 3 consecutive hours per day, and casual employees are not paid per performance.

Use performer-specific crediting rules for performers

cl 33.1(a)(i)-(vii)

Performer time is measured by award crediting rules, not just by clock-on and clock-off records. Rehearsals, calls and performances all need separate treatment.

  • For performers, ordinary hours are 38 in a week, except in the week immediately before opening night or the first public performance when the week may go up to 48 hours.
  • Performer ordinary hours are worked between 9.00 am and 11.15 pm on no more than 6 days in a week, and not more than 8 hours in a day.
  • The award credits minimum time for whole performances, shorter performances, dress rehearsals, rehearsals and extra sessions such as wardrobe and photo calls.
  • Lay-off on transfer of a production from one theatre to another is limited to 3 weeks in a 26 week period, pro rata for shorter periods, unless there is mutual agreement.

Capture special attendances and allowances

cl 32.1-32.2, 60.2

Live performance payroll often turns on special attendances and specialist duties that sit outside ordinary rostered hours.

  • Allowances must be paid when the clause triggers are met and identified separately.
  • Role-specific weekly allowances apply for nude or semi-nude work, Assistant Stage Manager duties and driver duties while on tour.
  • A prospective employee attending before employment for wardrobe, fitting, publicity, public relations or still photography must be paid for the attendance with a 3 hour minimum and travel costs.
  • Production employees can also trigger the recording or transmission allowance when a performance is recorded or transmitted during a performance, subject to the award exclusions.

Monitor meal breaks during production pressure

cl 62.1-62.3

Busy production periods do not remove break obligations. Missed meal breaks create direct pay consequences under this award.

  • Weekly employees have set meal break windows for lunch, dinner, supper and breakfast, although the span can be varied where specific work requirements make that necessary.
  • If an employee works more than 5 continuous hours without a suitable meal break, the award requires payment for the period that should have been allowed as the meal break.
  • Employees working during the 7 days before the opening of a stage production have special meal-break payment rules, and casual employees who work more than 4 hours are entitled to a minimum 30 minute meal break.

Review Production and Support Staff levels as duties grow

cl Schedule A.1.1, Schedule A.2.1

Entry level production and support classifications are tightly limited. Level 1 is for induction and training, not for long-term staffing.

  • Production and Support Staff Level 1 is a trainee level involving 6 weeks induction training for a full-time or part-time employee, or 228 hours induction training for a casual employee.
  • An employee cannot be engaged at Level 1 for more than 3 months.
  • Level 2 requires completion of the Level 1 induction training or equivalent experience and covers broader operational, equipment, administration and customer service work.

04Pay rates, penalties and allowances

The safest way to check a current rate is to start with the employee's classification, employment type and working pattern, then use Fair Work's current pay guide or Pay and Conditions Tool. Rates can change after an Annual Wage Review or an award variation.

05Common workplace examples

Ticketing and bar staff at a live venue

A venue employs staff to sell tickets and serve drinks during a live season. That work can still fall inside the live performance industry definition because ticket selling and food or drink service connected with covered performances are expressly included.

Pre-employment wardrobe and publicity attendance

A prospective cast member is required to attend before employment for wardrobe fitting and still photography. The award requires payment for the attendance with a 3 hour minimum and also requires travel costs to be paid.

Performer attends a photo call around rehearsal

A performer attends a photo call immediately before rehearsal. Extra calls such as wardrobe and photo calls have their own minimum crediting rule, but when they are held immediately before or after a rehearsal or performance call they are counted as time worked instead of attracting the separate minimum.

Production support employee kept at Level 1 too long

A production assistant now works across work areas, maintains records and performs customer-facing tasks. That employee should be reviewed against Level 2 rather than being left at the trainee level past the 3 month cap.

06Recent changes to this award

PR799280, PR799361, PR799516

The current consolidated award incorporates these recent variation determinations. Use the consolidated wording when checking any affected clause, schedule, rate or allowance.

Affected: 11 - Minimum rates, 14 - General allowances, 31 - Minimum rates, 32 - Allowances, 33 - Ordinary hours of work and rostering, 34 - Breaks, 40 - Minimum rates, 41 - Allowances, 44 - Overtime and penalty rates, 50 - Minimum rates, 51 - Allowances, 60 - Allowances

07What to do next

  1. 01Classify each worker by stream before loading any roster, overtime or allowance rule into payroll.
  2. 02For production and support staff, keep the full-time or part-time pattern in writing and record any later variation in writing.
  3. 03Give weekly employees their rosters at least 7 days in advance and document any cyclic rostering agreement.
  4. 04For performers, keep separate records of rehearsals, performances, dress rehearsals and extra calls such as wardrobe or photo calls.
  5. 05Train payroll to capture special attendances, Assistant Stage Manager duties, touring driver duties and recording events.
  6. 06Review Production and Support Staff employees after induction so Level 1 is not used beyond its 3 month limit.

08Common questions

Can venue and front-of-house work be covered?

Yes. The industry definition expressly includes ticket selling, the provision or preparation of food or drink, and the operation of venues or facilities used for covered performances, rehearsals or concerts.

Can one roster rule be used for every live performance worker?

No. The award is segmented. Performer rules, weekly production and support staff rules, musician rules and striptease artist rules are not interchangeable.

Are pre-employment wardrobe and publicity attendances payable?

Yes. A prospective employee required to attend for wardrobe, fitting, publicity, public relations or still photography must be paid for the attendance at the casual rehearsal rate with a 3 hour minimum, and the employer must also pay travel costs to the venue or location.

How much roster notice is required for weekly employees?

Weekly employees must be notified of their shifts 7 days in advance by roster, and a variation also needs at least 7 days notice unless there is an emergency.

Can a Production and Support Staff employee stay at Level 1 indefinitely?

No. Production and Support Staff Level 1 is a trainee level for induction training only, and an employee cannot be engaged at that level for more than 3 months.

Official sources and related help

This guide is general information, not legal advice. Modern award coverage and classification depend on the facts. Check the current official award and get advice for your business before relying on this page.

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